Antic Hay

London life just after World War I, devoid of values and moving headlong into chaos at breakneck speed—Aldous Huxley's *Antic Hay*. like Hemingway's *The Sun Also Rises*, portrays a world of lost souls madly pursuing both pleasure and meaning. Fake artists, third-rate poets, pompous critics, pseudo-scientists, con-men, bewildered romantics, cock-eyed futurists—all inhabit this world spinning out of control, as wildly comic as it is disturbingly accurate. In a style that ranges from the lyrical to the absurd, and with characters whose identities shift and change as often as their names and appearances, Huxley has here invented a novel that bristles with life and energy. What the *New York Times* called “a delirium of sense enjoyment!” London life just after World War I, devoid of values and moving headlong into chaos at breakneck speed - Aldous Huxley's Antic Hay, like Hemingway's The Sun Also Rises, portrays a world of lost souls madly pursuing both pleasure and meaning. Fake artists, third-rate poets, pompous critics, pseudo-scientists, con-men, bewildered romantics, cock-eyed futurists - all inhabit this world spinning out of control, as wildly comic as it is disturbingly accurate. In a style that ranges from the lyrical to the absurd, and with characters whose identities shift and change as often as their names and appearances, Huxley has here invented a novel that bristles with life and energy, what the New York Times called "a delirium of sense enjoyment!" “Futilitarian” best describes the type of desultory, pleasure-seeking intellectual Huxley pinned so mercilessly to the literary map in Antic Hay. Wickedly funny and deliciously barbed, the novel epitomizes the glittering neuroticism of post-First World War London.

An Oxford professor reacting against the turgid pedagoy of his times is possessed of the vital instinct for celebration. Huxley takes this character through a succession of startling adventures that are the last word in freedom and self expression.