A man called Berg, who changed his name to Greb, came to a seaside town intending to kill his father... So begins Ann Quin's first novel, which has been compared to the fiction of Samuel Beckett and Nathalie Sarraute. Against the backdrop of this gritty seaside town, an absurd and brutal plot develops involving three characters - Alistair Berg, his father, and their mutual mistress. In his attempt to kill his father, Berg mutilates a ventriloquist's dummy, almost falls victim to his father's mistaken sexual advances, and is relentlessly taunted by a group of tramps. Disturbing and at times startlingly comic, Berg chronicles the interrelations among these three characters as they circle one another in an escalating spiral of violence. Alistair Berg, hair restorer, shares a mistress with his father, He will, he decides, eliminate his rival. After mutilating a ventriloquists dummy, he finds himself accidentally seduced by the man he needs to kill. "A man called Berg, who changed his name to Greb, came to a seaside town intending to kill his father. . ."So begins Ann Quin's madcap frolic with sinister undertones, a debut "so staggeringly superior to most you'll never forget it" (The Guardian). Alistair Berg hears where his father, who has been absent from his life since his infancy, is living. Without revealing his identity, Berg takes a room next to the one where his father and father's mistress are lodging and he starts to plot his father's elimination. Seduction and violence follow, though not quite as Berg intends, with Quin lending the proceedings a delightful absurdist humor. Anarchic, heady, dark, Berg is Quin's masterpiece, a classic of post-war avant-garde British writing, and now finally back in print after much demand 'A man called Berg, who changed his name to Greb, came to a seaside town intending to kill his father ...' So begins Ann Quin's madcap frolic with sinister undertones, a debut 'so staggeringly superior to most you'll never forget it' (The Guardian). Alistair Berg hears where his father, who has been absent from his life since his infancy, is living. Without revealing his identity, Berg takes a room next to the one where his father and father's mistress are lodging and he starts to plot his father's elimination. Seduction and violence follow, though not quite as Berg intends, with Quin lending the proceedings a delightful absurdist humour. Anarchic, heady, dark, Berg is Quin's masterpiece, a classic of post-war avant-garde British writing, and now finally back in print after much demand.- Información editorial
‘A man called Berg, who changed his name to Greb, came to a seaside town intending to kill his father. . . ’
So begins Ann Quin’s first novel, a debut ‘so staggeringly superior to most you’ll never forget it’ (The Guardian). Alistair Berg, hair restorer, shares a mistress with his father. He will, he decides, eliminate his rival. After mutilating a ventriloquist’s dummy, he finds himself accidentally seduced by the man he needs to kill. Mordant, heady, dark, Berg is Quin’s masterpiece, a classic of post-war avant-garde British writing.
