圣状-拉康第二十三期研讨班-中英对照版 The Sinthome: The Seminar of Jacques Lacan, Book XXIII

"十次,一个白发老人站到台上。十次呼哧呼哧地叹气。十次慢慢地描画出奇怪的五彩斑斓的阿拉伯纹样图案,这些图案交织在一起,随着他的讲话蜿蜒曲折,既流畅又不安。所有的人都在看着,被这个谜一样的人迷住了,吸收着他的神棍言语(ipse dixit),期待着一些需要时间才能出现的光亮。 不可能。这里很阴暗,泰奥多里人去找他们的火柴了。不过,他们说,cuicumque in sua arte perito credendum est,谁是他的艺术专家,谁就会被信任。一个人在什么时候是疯了?大师自己提出了这个问题。 那是在过去的日子里。那是四十年后的巴黎之谜。 就像但丁握着维吉尔的手被带着穿过地狱的圈子一样,拉康拉着詹姆斯-乔伊斯的手,这个难以理解的爱尔兰人,在这个纤细的无信仰者的指挥官的带领下,迈着沉重而蹒跚的步伐,来到了有症状的女人和蹂躏的男人燃烧和蠕动的白炽区。 挣扎中的观众中有一个模棱两可的团体:他的女婿;一个衣衫不整的作家,那时他还很年轻,也同样看不懂;两个对话的数学家;还有一个来自里昂的教授,为整个事件的严肃性作担保。一个谨慎的帕西淮(Pasiphaë)正在后台工作。 傻笑吧,我的好伙伴们!请便。做我的客人吧。嘲笑这一切吧! 这就是我们的喜剧幻觉的作用。这样,你们就不会知道在你们眼前发生了什么:对弗洛伊德发明的艺术进行最仔细的考虑、最清晰的、最无畏的质疑,更多的是以其假名:精神分析。 ——雅克-阿兰·米勒 Machine Generated Contents Note: The Spirit Of The Knots -- I. On The Logical Use Of The Sinthome, Or Freud With Joyce -- Ii. On What Makes A Hole In The Real -- Iii. On The Knot As The Subject's Support -- The Joyce Trail -- Iv. Joyce And The Fox Riddle -- V. Was Joyce Mad? -- Vi. Joyce And Imposed Words -- The Invention Of The Real -- Vii. On A Fallace That Vouches For The Real -- Viii. On Sens, Sex And The Real -- Ix. From The Unconscious To The Real -- By Way Of Conclusion -- X. The Writing Of The Ego -- Note -- Appendices -- Joyce The Symptom / Jacques Lacan -- Presentation At Lacan's Seminar / Jacques Aubert -- Reading Notes / Jacques Aubert -- A Note Threaded Stitch By Stitch / Jacques-alain Miller. Jacques Lacan. First Published In [french] As Le Séminaire. Livre Xxiii. Le Sinthome. Includes Bibliographical References And Index. Often controversial, always inspired, French intellectual Jacques Lacan begins the twentieth year of his famous Seminar by weighing theories of the relationship between the desire for love and the attainment of knowledge from such influential and diverse thinkers as Aristotle, Marx, and Freud. From here he leads us through mathematics, philosophy, religion, and, naturally, psychoanalysis into an entirely new and unexpected way of interpreting the two most fundamental human drives. Anticipated by English-speaking readers for more than twenty years, this annotated translation presents Lacan's most sophisticated work on love, desire, and jouissance Ten times, an elderly grey-haired man gets up on the stage. Ten times puffing and sighing. Ten times slowly tracing out strange multi-coloured arabesques that interweave, curling with the meanders of his speech, by turns fluid and uneasy.