Brooklyn Noir is on fire! It is an Edgar Award finalist for "The Book Signing" by Pete Hamill; winner of the MWA's Robert L. Fish Memorial Award for "Can't Catch Me" by Thomas Morrissey; a Shamus Award finalist for "Hasidic Noir" by Pearl Abraham; a Pushcart Prize finalist for "Practicing" by Ellen Miller; an Anthony Award finalist for "Hunter/Trapper" by Arthur Nersesian; an Anthony Award finalist for Best Cover Art.Brooklyn Noir stories "When All This Was Bay Ridge" by Tim McLoughlin and "Case Closed" by Lou Manfredo have both been selected for Best American Mystery Stories 2005 edited by Joyce Carol Oates and Otto Penzler."A collection of crime stories set in different Brooklyn neighborhoods, edited by Mr. McLoughlin...The stories are set far and wide in the borough, from Red Hook to Bushwick to Canarsie...Brooklyn has always occupied a special place in the imagination of America writers, who have been captivated by its raffishness."--New York Times"[An] anthology of 19 brand new hard-boiled and twisted tales, each set in a different Brooklyn neighborhood...the best stories concern people in the present coming to terms with the past."--Publisher’s Weekly"New York's punchiest borough asserts its criminal legacy with brand-new stories from a magnificent set of today's best writers. Brooklyn Noir moves from Coney Island to Bedford-Stuyvesant to Bay Ridge to Red Hook to Bushwick to Sheepshead Bay to Park Slope and far deeper, into the heart of Brooklyn's historical and criminal largesse, with all of its dark splendor."--Brooklyn Daily Eagle"Brooklyn Noir’s contributors are aware of their surroundings, literal and literary...Be cool: This pulp's got enough juice to keep the margaritas flowing."--Village Voice"It's all Brooklyn—Bensonhurst and Brighton Beach, Red Hook and Crown Heights—in this atmospheric collection of noir tales."--Booklist“This Brooklyn is cagey and unpredictable. This is about the shadowy corners, the musty old bars and the sidewalks littered with broken glass. In Brooklyn Noir, you can’t take anything for granted.”--Brooklyn Paper"A recent publication from Akashic Books is the laudable Brooklyn Noir, a collection of dark tales set in New York's self-proclaimed punchiest borough...the story by Peter Hamill is more than worth the price of the whole book."--New York Sun"718 represent!...Brooklyn Noir will make "you'se" leave the light on at night."--Metro"Brooklyn Noir is such a stunningly perfect combination that you can't believe you haven't read an anthology like this before. But trust me—you haven't. Story after story is a revelation, filled with the requisite sense of place, but also the perfect twists that crime stories demand. The writing is flat-out superb, filled with lines that will sing in your head for a long time to come."--Laura Lippman, winner of the Edgar, Shamus and Agatha awards"An excellent collection of Brooklyn stories that I urge everyone to read."--Marty Markowitz, Brooklyn Borough PresidentContributors include Pete Hamill, Nelson George, Sidney Offit, Arthur Nersesian, Pearl Abraham, Ellen Miller, Maggie Estep, Adam Mansbach, CJ Sullivan, Chris Niles, Norman Kelley, and many others.Akashic Books announces Brooklyn novelist Tim McLoughlin as the editor of the anthology (in addition to his contributing a story). McLoughlin's respect on any Brooklyn street predates the publication of his debut novel Heart of the Old Country (Akashic, 2001), a selection of the Barnes & Noble Discover Great New Writers Program that was hailed by Entertainment Weekly as "an inspired cross between Richard Price and Ross McDonald." For years, McLoughlin has worked in the Kings County Supreme Court in downtown Brooklyn. From Publishers Weekly In McLoughlin's entertaining if uneven anthology of 19 brand new hard-boiled and twisted tales, each set in a different Brooklyn neighborhood, the best way to get to know New York City's most diverse borough is either to be dead or to cause someone else to assume that state in as grisly a manner as possible. This might be achieved via the old school method鈥攆or instance, with a nickel-plated revolver and a heart full of malice, as in "The Book Signing," Pete Hamill's lyrical opener about a Park Slope "ex-pat" writer who revisits his now-gentrified neighborhood only to step inadvertently into a past he'd long thought buried and forgotten. Or death might arrive in a new-fangled mode, with a scalpel and an Internet connection, as in Arthur Nersesian's compelling "Hunter/ Trapper," in which a Brooklyn Heights Web stalker makes the serious mistake of failing to secure his stalkee securely before ravishment. If a few weaker entries exploit the borough as an arbitrary setting for standard cops-and-robbers fare, the best stories concern people in the present coming to terms with the past. In McLoughlin's evocative "When All This Was Bay Ridge," a Sunset Park cop's son struggles with his dead father's secret history, while Maggie Estep's "Triple Harrison," depicting a squatter who tends a broken-down race horse in the abandoned wastes of East New York, takes the prize as the book's weirdest tale. Copyright 漏 Reed Business Information, a division of Reed Elsevier Inc. All rights reserved. From It's all Brooklyn--Bensonhurst and Brighton Beach, Red Hook and Crown Heights--in this atmospheric collection of noir tales. The sound is right, too, from the understated staccato of old lost souls to the jiving rap of younger ones. Abraham Pearl manages a Jewish gumshoe in "Hasidic Noir," and Neal Pollack makes a carousel ride and a scavenger hunt as sinister as midnight. Thomas Morrissey does a weird tale of vampire cookies in "Can't Catch Me." The language is richly foul, and so is much of the sex in these 19 stories, divided into four sections from "Old School Brooklyn" to "Cops & Robbers." Brooklyn's Italian and Irish belly up to the bar with Russians, Puerto Ricans, and Rastas. Pete Hamill, probably the biggest name here, opens with a signature tale for both himself and the genre, deceptively called "The Book Signing." GraceAnne DeCandido Copyright 漏 American Library Association. All rights reserved New York (State),Brooklyn (New York; N.Y.),Anthologies (multiple authors),Mystery & Detective,Short Stories,ebook,Noir fiction; American,General,New York,Crime,American fiction,Fiction,American fiction - New York (State) - New York,Detective and mystery stories; American From Publishers Weekly In McLoughlin's entertaining if uneven anthology of 19 brand new hard-boiled and twisted tales, each set in a different Brooklyn neighborhood, the best way to get to know New York City's most diverse borough is either to be dead or to cause someone else to assume that state in as grisly a manner as possible. This might be achieved via the old school method—for instance, with a nickel-plated revolver and a heart full of malice, as in ''The Book Signing,'' Pete Hamill's lyrical opener about a Park Slope ''ex-pat'' writer who revisits his now-gentrified neighborhood only to step inadvertently into a past he'd long thought buried and forgotten. Or death might arrive in a new-fangled mode, with a scalpel and an Internet connection, as in Arthur Nersesian's compelling ''Hunter/ Trapper,'' in which a Brooklyn Heights Web stalker makes the serious mistake of failing to secure his stalkee securely before ravishment. If a few weaker entries exploit the borough as an arbitrary setting for standard cops-and-robbers fare, the best stories concern people in the present coming to terms with the past. In McLoughlin's evocative ''When All This Was Bay Ridge,'' a Sunset Park cop's son struggles with his dead father's secret history, while Maggie Estep's ''Triple Harrison,'' depicting a squatter who tends a broken-down race horse in the abandoned wastes of East New York, takes the prize as the book's weirdest tale. Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved. From It's all Brooklyn--Bensonhurst and Brighton Beach, Red Hook and Crown Heights--in this atmospheric collection of noir tales. The sound is right, too, from the understated staccato of old lost souls to the jiving rap of younger ones. Abraham Pearl manages a Jewish gumshoe in ''Hasidic Noir,'' and Neal Pollack makes a carousel ride and a scavenger hunt as sinister as midnight. Thomas Morrissey does a weird tale of vampire cookies in ''Can't Catch Me.'' The language is richly foul, and so is much of the sex in these 19 stories, divided into four sections from ''Old School Brooklyn'' to ''Cops & Robbers.'' Brooklyn's Italian and Irish belly up to the bar with Russians, Puerto Ricans, and Rastas. Pete Hamill, probably the biggest name here, opens with a signature tale for both himself and the genre, deceptively called ''The Book Signing.'' GraceAnne DeCandido Copyright © American Library Association. All rights reserved New York's punchiest borough asserts its criminal legacy with all new stories from a magnificent set of today's best writers. Brooklyn Noir moves from Coney Island to Bedford-Stuyvesant to Bay Ridge to Red Hook to Bushwick to Sheepshead Bay to Park Slope and far deeper, into the heart of Brooklyn's historical and criminal largesse, with all of its dark splendor. Each contributor presents a brand new story set in a distinct neighborhood. Brooklyn Noir mixes masters of the mystery genre with the best of New York's literary fiction community-and, of course, leaves room for new blood. These brilliant and chilling stories see crime striking in communities of Russians, Jamaicans, Hasidic Jews, Puerto Ricans, Italians, Irish and many other ethnicities-in the most diverse urban location on the planet. Contributors include Pete Hamill, Nelson George, Sidney Offit, Arthur Nersesian, Pearl Abraham, Ellen Miller, Maggie Estep, Adam Mansbach, CJ Sullivan, Chris Niles, Norman Kelley, and many others. Akashic Books announces Brooklyn novelist Tim McLoughlin as the editor of the anthology (in addition to his contributing a story). McLoughlin's respect on any Brooklyn street predates the publication of his debut novel Heart of the Old Country (Akashic, 2001), a selection of the Barnes & Noble Discover Great New Writers Program that was hailed by Entertainment Weekly as "an inspired cross between Richard Price and Ross McDonald." For years, McLoughlin has worked in the Kings County Supreme Court in downtown Brooklyn. This award-winning anthology of original crime fiction exploring Brooklyn's many enclaves features new stories by Pete Hamill, Maggie Estep and others.New York's punchiest borough asserts its criminal legacy with this collection of stories from some of today's best writers. Brooklyn Noir moves from Coney Island to Bedford-Stuyvesant to Bay Ridge to Red Hook to Bushwick to Sheepshead Bay to Park Slope and far deeper, into the heart of Brooklyn's historical and criminal largesse. Each contributor offers a new story set in a distinct neighborhood. Many of the stories that first appeared in this volume have garnered critical acclaim, including Pete Hamill's Edgar Award finalist “The Book Signing”; Ellen Miller's Pushcart Prize finalist “Practicing”; Pearl Abraham's Shamus Award finalist “Hasidic Noir”; Arthur Nersesian's Anthony Award finalist “Hunter/Trapper”; and Thomas Morrissey's Robert L. Fish Memorial Award-winner “Can't Catch Me”.Brooklyn Noir also features brand-new stories by Nelson George, Sidney Offit, Neal Pollack, Ken Bruen, Maggie Estep, Kenji Jasper, Adam Mansbach, C.J. Sullivan, Chris Niles, Norman Kelley, Nicole Blackman, Tim McLoughlin, Lou Manfredo, Luciano Guerriero, and Robert Knightley. Masters Of The Mystery Genre And The Best Of New York's Literary Fiction Community Come Together In An Anthology Of Stories, Each Set In A Distinct Neighborhood Of Brooklyn. The Book Signing / Pete Hamill -- Hasidic Noir / Pearl Abraham -- No Time For Senior's / Sidney Offit -- When All This Was Bay Ridge / Tim Mcloughin -- Practicing / Ellen Miller -- Crown Heist / Adam Mansbach -- Hunter/trapper / Arthur Nersesian -- New Lots Avenue / Nelson George -- Scavenger Hunt / Neal Pollack -- The Code / Norman Kelley -- Can't Catch Me / Thomas Morrissey -- Case Closed / Lou Manfredo -- Eating Italian / Luciano Guerriero -- Thursday / Kenji Jasper -- One More For The Road / Robert Knightly -- Triple Harrison / Maggie Estep -- Fade To-- Brooklyn / Ken Bruen -- Dumped / Nicole Blackman -- Slipping Into Darkness / C.j. Sullivan -- Ladies' Man / Chris Niles. Edited By Tim Mcloughlin.