Cave Art, Perception and Knowledge

Using the example of prehistoric paintings discovered in the late 19th century in Spain and France Cave Art, Perception and Knowledge inquires into epistemic questions related to images, depicting and perception that this rich material has given rise to. The book traces the outline of the doxa of cave art studies. "In the late 19th century in northern Spain and southern France prehistoric mural paintings and engravings were discovered. Cave Art, Perception and Knowledge inquires into epistemic questions related to images, depicting and perception that this rich and much debated material has given rise to. Focusing respectively on the historical and scientific circumstances and controversies and on the epistemic and perceptual problems and questions the discovery of these paintings and engravings gave rise to, the book traces the outline of the doxa of cave art studies. It criticizes the different ways of trying to make sense of the cave art. Furthermore it suggests, with the help of both Cornelius Castoriadis's concept of technique and Ernst Cassirer's notion of symbolic form, a yet untried way out of the hermeneutical impasse where the interpretation of the paleolithic pictures finds itself today"-- Provided by publisher Front Matter....Pages i-xiii Outside....Pages 1-8 Cave Opening....Pages 9-18 Doxa....Pages 19-31 Caves....Pages 32-47 Doxa....Pages 48-80 Caves....Pages 81-105 Caves and Doxa....Pages 106-142 Outside — Again....Pages 143-143 Back Matter....Pages 144-169