Cold War Camera

Cold War Camera explores the visual mediation of the Cold War and illuminates photography’s role in shaping the ways it was prosecuted and experienced. The contributors show how the camera stretched the parameters of the Cold War beyond dominant East-West and US-USSR binaries and highlight the significance of photography from across the global South. Among other topics, the contributors examine the production and circulation of the iconic figure of the “revolutionary Vietnamese woman” in the 1960s and 1970s; photographs connected with the coming of independence and decolonization in West Africa; family photograph archives in China and travel snapshots by Soviet citizens; photographs of apartheid in South Africa; and the circulation of photographs of Inuit Canadians who were relocated to the extreme Arctic in the 1950s. Highlighting the camera’s capacity to envision possible decolonialized futures, establish visual affinities and solidarities, and advance calls for justice to redress violent proxy conflicts, this volume demonstrates that photography was not only crucial to conducting the Cold War, it is central to understanding it. Contributors. Ariella Azoulay, Jennifer Bajorek, Erina Duganne, Evyn Lê Espiritu Gandhi, Eric Gottesman, Tong Lam, Karintha Lowe, Ángeles Donoso Macaya, Darren Newbury, Andrea Noble, Sarah Parsons, Gil Pasternak, Thy Phu, Oksana Sarkisova, Olga Shevchenko, Laura Wexler, Guigui Yao, Donya Ziaee, Marta Ziętkiewicz "Cold War Camera explores the visual mediation of the Cold War and illuminates photography's role in shaping the ways it was prosecuted and experienced. The contributors show how the camera stretched the parameters of the Cold War beyond dominant East/West and US/USSR binaries and highlight the significance of photography from across the global South. Among other topics, the contributors examine the production and circulation of the iconic figure of the "revolutionary Vietnamese woman" in the 1960s and 1970s, photographs connected with the coming of independence and decolonization in West Africa, family photograph archives in China and travel snapshots by Soviet citizens, photographs of apartheid in South Africa, and the circulation of photographs of Inuit Canadians who were relocated to the extreme Arctic in the 1950s. Highlighting the camera's capacity to envision possible decolonialized futures, establish visual affinities and solidarities, and to advance calls for justice to redress violent proxy conflicts, this volume demonstrates that photography was not only crucial to conducting the Cold War, it is central to understanding it. Contributors. Ariella Azoulay, Jennifer Bajorek, Erina Duganne, Evyn LeÌ2 Espiritu Gandhi, Eric Gottesman, Tong Lam, Karintha Lowe, AÌ1ngeles Donoso Macaya, Darren Newbury, Andrea Noble, Sarah Parsons, Gil Pasternak, Thy Phu, Oksana Sarkisova, Olga Shevchenko, Laura Wexler, Guigui Yao, Donya Ziaee, Marta ZieÌ·tkiewicz"-- Provided by publisher Cold War Camera explores the visual mediation of the ColdWar and illuminates photography's role in shaping the ways it wasprosecuted and experienced. The contributors show how the camerastretched the parameters of the Cold War beyond dominant East-Westand US-USSR binaries and highlight the significance of photographyfrom across the global South. Among other topics, the contributorsexamine the production and circulation of the iconic figure of the"revolutionary Vietnamese woman" in the 1960s and 1970s;photographs connected with the coming of independence anddecolonization in West Africa; family photograph archives in Chinaand travel snapshots by Soviet citizens; photographs of apartheidin South Africa; and the circulation of photographs of InuitCanadians who were relocated to the extreme Arctic in the 1950s.Highlighting the camera's capacity to envision possibledecolonialized futures, establish visual affinities andsolidarities, and advance calls for justice to redress violentproxy conflicts, this volume demonstrates that photography was notonly crucial to conducting the Cold War, it is central tounderstanding it. Contributors. Ariella Azoulay, Jennifer Bajorek,Erina Duganne, Evyn Lê Espiritu Gandhi, Eric Gottesman, Tong Lam,Karintha Lowe, Ángeles Donoso Macaya, Darren Newbury, Andrea Noble,Sarah Parsons, Gil Pasternak, Thy Phu, Oksana Sarkisova, OlgaShevchenko, Laura Wexler, Guigui Yao, Donya Ziaee, MartaZiętkiewicz project_muse_103910-3265615 10.1515_9781478023197 Contents Illustrations Acknowledgments Cold War: Camera An Introduction Visual Alliances 1 Ernest Cole’s House of Bondage, the United States Information Agency, and the Cultural Politics of Race in the Cold War 2 Icon of Solidarity: The Revolutionary Vietnamese Woman in Vietnam, Palestine, and Iran 3 Group Material’s “Art for the Future”: Visualizing Transnational Solidarity at the End of the Global Cold War 4 Interrogating the Cold War’s Geo-Politics from Down South: Chile from Within (1990) and the Construction of a Situated Visuality 5 Decolonization and Nonalignment: African Futures, Lost and Found Photo Essays 6 Bifurcated and Parallel Histories 7 Preservation of Terror Structures of Seeing 8 Ending World War II: The Visual Literacy Class in Cold War Human Rights 9 “Planted There Like Human Flags”: Photographs of the High Arctic and Cold War Anxiety, 1951 – 1956 10 Urban Albums, Village Forms: Chinese Family Photographs and the Cold War 11 Travel, Space, and Belonging in Soviet Domestic Photo Collections of the Cold War Era 12 Exhibiting Ethnic Minorities, Democratizing History: Cold War Legacies and the Jews in Poland’s Visible Sphere Bibliography Contributors Index