Collected Short Stories

“Tolstaya carves indelible people who roam the imagination long after the book is put down.” –TimeTatyana Tolstaya's short stories—with their unpredictable fairy-tale plots, appealingly eccentric characters, and stylistic abundance and flair—established her in the 1980s as one of modern Russia's finest writers. Since then her work has been translated throughout the world. Edna O'Brien has called Tolstaya “an enchantress.” Anita Desai has spoken of her work's “richness and ardent life.” Mixing heartbreak and humor, dizzying flights of fantasy and plunging descents to earth, Tolstaya is the natural successor in a great Russian literary lineage that includes Gogol, Yuri Olesha, Bulgakov, and Nabokov.White Walls is the most comprehensive collection of Tolstaya's short fiction to be published in English so far. It presents the contents of her two previous collections, On the Golden Porch and Sleepwalker in a Fog, along with several previously uncollected stories. Tolstaya writes of lonely children and lost love, of philosophers of the absurd and poets working as janitors, of angels and halfwits. She shows how the extraordinary will suddenly erupt in the midst of ordinary life, as she explores the human condition with a matchless combination of unbound imagination and unapologetic sympathy. A New York Review Books Original

“Tolstaya carves indelible people who roam the imagination long after the book is put down.” –Time

The wonderful verve, unflagging verbal invention, and wicked charm that Tatyana Tolstaya brings to the short story have earned her a devoted audience all over the world. Edna O’Brien has called her “an enchantress.” Anita Desai has spoken of her work’s “richness and ardent life.” Stemming from a Russian tradition of heartbreak and humor, mixing harsh realism and disconcerting fantasy with lyrical abandon, Tolstaya is the natural successor to the Bulgakov of The Master and Margarita and the Nabokov of Pnin. In these pages we meet Denisov, who dreams of composing a treatise that will prove the metaphysical impossibility of Australia; Natasha, who searches not only Leningrad but her memory for a great love she knows she once had. Tolstaya’s gift for characterization is unequaled, and again and again she shows how the extraordinary will suddenly erupt in the midst of ordinary life.

This original collects the contents of Tolstaya’s two previously published collections of short fiction, On the Golden Porch and Sleepwalker in a Fog, together with new stories that appear here in English for the first time. It is a necessary introduction to the work of a thrilling and enduring proponent of the short story. Tatyana Tolstaya's short stories with their unpredictable fairy-tale plots, appealingly eccentric characters, and stylistic abundance and flair established her in the 1980s as one of modern Russia's finest writers. Since then her work has been translated throughout the world. Edna O'Brien has called Tolstaya "an enchantress." Anita Desai has spoken of her work's "richness and ardent life." Mixing heartbreak and humor, dizzying flights of fantasy and plunging descents to earth, Tolstaya is the natural successor in a great Russian literary lineage that includes Gogol, Yuri Olesha, Bulgakov, and Nabokov. White Walls is the most comprehensive collection of Tolstaya's short fiction to be published in English so far. It presents the contents of her two previous collections, On the Golden Porch and Sleepwalker in a Fog , along with several previously uncollected stories. Tolstaya writes of lonely children and lost love, of philosophers of the absurd and poets working as janitors, of angels and halfwits. She shows how the extraordinary will suddenly erupt in the midst of ordinary life, as she explores the human condition with a matchless combination of unbound imagination and unapologetic sympathy. A New York Review Books Original "Tolstaya carves indelible people who roam the imagination long after the book is put down." -- Time Angels, imaginary friends, near-saints, shades and ber-ogres fall to Earth among ordinary Russians and routinely succeed in whetting the imagination in this sparkling collection from Tolstoy's great-grandniece, a longtime New Yorker fiction contributor. In "The Circle," Vassily Mikailovich (Tolstaya wryly leaves him without a surname) turns 60 and finds little behind or ahead of him, despite meeting the ghost of former lover Isolde Loves me, loves me not Okkervil river Sweet shura On the golden porch Hunting the wooly mammoth The circle A clean sheet Fire and dust Date with a bird Sweet dreams, son Sonya The fakir Peters Sleepwalker in a fog Serafim The moon came out Night Heavenly flame Most beloved The poet and the muse Limpopo White walls Yorick