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Today, law enforcement requires actionable and real-time intelligence; 24 hours a day, seven days a week to help respond to cases efficiently. When evidence is lacking in a case, law enforcement officers are often times left to rely on eyewitness descriptions. In order to quickly disseminate facial composites to news outlets and social media, law enforcement needs to rely on every tool available; including traditional forensic artists and advanced facial composite software. __Creating Digital Faces for Law Enforcement__ provides the proper foundation for obtaining key information needed to create effective facial composites. There are two main methods to create a facial composite, first through traditional forensic art techniques and second by using commercially developed facial composite software. Traditional forensic art has advanced from pen and paper to more enhanced digital tools. This text reviews the development of digital tools used by the forensic artist describing each tool in detail. __Creating Digital Faces for Law Enforcement__ is the first text of its kind to address the creation of digital sketches for forensic artists and software-driven sketches for non-artist/technicians. Content: Front Matter,Copyright,Dedication,About the Author,Acknowledgments,Author's Note,Appendix Section,IntroductionEntitled to full textChapter 1 - Pencils to Pixels, Pages 1-13 Chapter 2 - Getting Started, Pages 15-33 Chapter 3 - When, Where, Why, and How?, Pages 35-51 Chapter 4 - The Eyewitness, Pages 53-62 Chapter 5 - The Interview, Pages 63-84 Chapter 6 - The Human Face, Pages 85-100 Chapter 7 - Courtroom Testimony, Pages 101-112 Chapter 8 - Lights, Camera...Facial Composites in the Media, Pages 113-128 Chapter 9 - Digital Tools, Pages 129-154 Chapter 10 - Let's Make Faces, Pages 155-216 Chapter 11 - Change-a-Face, Pages 217-282 Chapter 12 - Putting It All Together, Pages 283-300 Chapter 13 - Facing the Future, Pages 301-311 Appendix A - Forensic Facial Imaging Unit Technical Training Manual, Pages 313-335 Appendix B - Forensic Facial Imaging Unit Standard Operating Procedures, Pages 337-339 Appendix C - Forensic Facial Imaging Unit Services Request Form, Page 341 Appendix D - Eyewitness Interview Worksheet, Page 343 Appendix E - Facial Composite Report Form, Page 345 Appendix F - Determining Spatial Relationships, Page 347 Appendix G - Facial Composite Template Example: The Average Face, Page 349 Appendix H - Facial Composite Template, Page 351 Appendix I - Approximating Age in Facial Composites, Page 353 Appendix J - Facial Muscles Versus Facial Lines/Wrinkles, Page 355 Appendix K - Common Facial Bone Structure to Consider When Creating Facial Composites, Page 357 Appendix L - Comparison of How Facial Features Line Up on the Skull, Page 359 Forensic Art Terminology, Pages 361-362 Wacom Tablet Terminology, Pages 363-364 Corel Painter Terminology, Page 365 Adobe Photoshop Terminology, Pages 367-368 Index, Pages 369-377

Today, law enforcement requires actionable and real-time intelligence; 24 hours a day, seven days a week to help respond to cases efficiently. When evidence is lacking in a case, law enforcement officers are often times left to rely on eyewitness descriptions. In order to quickly disseminate facial composites to news outlets and social media, law enforcement needs to rely on every tool available; including traditional forensic artists and advanced facial composite software.

Creating Digital Faces for Law Enforcement provides the proper foundation for obtaining key information needed to create effective facial composites. There are two main methods to create a facial composite, first through traditional forensic art techniques and second by using commercially developed facial composite software. Traditional forensic art has advanced from pen and paper to more enhanced digital tools. This text reviews the development of digital tools used by the forensic artist describing each tool in detail. Creating Digital Faces for Law Enforcement is the first text of its kind to address the creation of digital sketches for forensic artists and software-driven sketches for non-artist/technicians.

• A step-by-step guide addressing the creation of digital, software-driven, sketches for non-artist technicians
• Includes descriptions supported by both photographs and video demonstrations to assist the reader in better understanding the process
• Written by an internationally-recognized police sketch artist with over 35 years of experience
• A companion website page will host author created / narrated videos for reader access

"Creating Digital Faces for Law Enforcement provides the proper foundation for obtaining key information needed to creating effective facial composite. This book review the development of digital tools used by a forensic artist describing each tool in detail. Creating Digital Faces for Law Enforcement is the first book of its kind to address the creation of digital sketches for forensic artists and software-driven sketches for nonartists/technicians." -- Back cover