Daisy Johnson’s debut novel turns classical myth on its head in an unsettling story of family and identity, of fate, language, love and belonging.It's been sixteen years since Gretel last saw her mother, half a lifetime to forget her childhood on the canals. But a phone call will soon reunite them, and bring those wild years flooding back: the secret language that Gretel and her mother invented. Words are important to Gretel, always have been. She begins to remember the private vocabulary of her childhood. She remembers other things, too: the wild years spent on the river; the strange, lonely boy who came to stay on the boat one winter; and the creature in the water – a canal thief? – swimming upstream, getting ever closer. In the end, there will be nothing for Gretel to do but go back, to wade deeper into their past, where family secrets and aged prophecies will all come tragically alive again. "Daisy Johnson...pulls off several marvels at once in Everything Under (her debut novel, no less). She coins words, channels outlier voices, and fractures chronology. The result is an uncanny update of ancient storytelling on a primal theme: Are our fates coded into us from the moment we are born? ... Is escape possible? The question keeps breaking the surface of these mesmerizing pages. Steeped in the Oedipus myth and dark fairy-tale enchantment, Johnson’s world is also indelibly her own." - Ann Hulbert, The AtlanticDaisy Johnson was born in 1990. Her debut short-story collection, Fen, was published in 2016. In 2018 she became the youngest author ever to be shortlisted for the Man Booker Prize with her debut novel Everything Under. She is the winner of the Harper’s Bazaar Short Story Prize, the A. M. Heath Prize and the Edge Hill Short Story Prize.
SHORTLISTED FOR THE 2018 MAN BOOKER PRIZE
An eerie, watery reimagining of the Oedipus myth set on the canals of Oxford, from the author of Fen
The dictionary doesn’t contain every word. Gretel, a lexicographer by trade, knows this better than most. She grew up on a houseboat with her mother, wandering the canals of Oxford and speaking a private language of their own invention. Her mother disappeared when Gretel was a teen, abandoning her to foster care, and Gretel has tried to move on, spending her days updating dictionary entries.
One phone call from her mother is all it takes for the past to come rushing back. To find her, Gretel will have to recover buried memories of her final, fateful winter on the canals. A runaway boy had found community and shelter with them, and all three were haunted by their past and stalked by an ominous creature lurking in the canal: the bonak. Everything and nothing at once, the bonak was Gretel’s name for the thing she feared most. And now that she’s searching for her mother, she’ll have to face it.
In this electrifying reinterpretation of a classical myth, Daisy Johnson explores questions of fate and free will, gender fluidity, and fractured family relationships. Everything Under—a debut novel whose surreal, watery landscape will resonate with fans of Fen—is a daring, moving story that will leave you unsettled and unstrung.
SHORTLISTED FOR THE 2018 MAN BOOKER PRIZE An eerie, watery reimagining of the Oedipus myth set on the canals of Oxford, from the author of Fen The dictionary doesn't contain every word. Gretel, a lexicographer by trade, knows this better than most. She grew up on a houseboat with her mother, wandering the canals of Oxford and speaking a private language of their own invention. Her mother disappeared when Gretel was a teen, abandoning her to foster care, and Gretel has tried to move on, spending her days updating dictionary entries. One phone call from her mother is all it takes for the past to come rushing back. To find her, Gretel will have to recover buried memories of her final, fateful winter on the canals. A runaway boy had found community and shelter with them, and all three were haunted by their past and stalked by an ominous creature lurking in the canal: the bonak. Everything and nothing at once, the bonak was Gretel's name for the thing she feared most. And now that she's searching for her mother, she'll have to face it. In this electrifying reinterpretation of a classical myth, Daisy Johnson explores questions of fate and free will, gender fluidity, and fractured family relationships. Everything Under— a debut novel whose surreal, watery landscape will resonate with fans of Fen— is a daring, moving story that will leave you unsettled and unstrung. Words are important to Gretel, always have been. As a child, she lived on a canal boat with her mother, and together they invented a language that was just their own. She hasn’t seen her mother since the age of sixteen, though – almost a lifetime ago – and those memories have faded. Now Gretel works as a lexicographer, updating dictionary entries, which suits her solitary nature. A phone call from the hospital interrupts Gretel’s isolation and throws up questions from long ago. She begins to remember the private vocabulary of her childhood. She remembers other things, too: the wild years spent on the river; the strange, lonely boy who came to stay on the boat one winter; and the creature in the water – a canal thief? – swimming upstream, getting ever closer. In the end there will be nothing for Gretel to do but go back. Daisy Johnson’s debut novel turns classical myth on its head and takes readers to a modern-day England unfamiliar to most. As daring as it is moving, *Everything Under* is a story of family and identity, of fate, language, love and belonging that leaves you unsettled and unstrung. "Gretel, a lexicographer by trade, grew up on a houseboat with her mother, wandering the canals of Oxford and speaking a private language of their own invention. Her mother disappeared when Gretel was a teen, abandoning her to foster care, and Gretel has tried to move on, spending her days updating dictionary entries. When her mother phones, Gretel will have to recover buried memories of her final, fateful winter on the canals. A runaway boy had found community and shelter with them, and all three were haunted by their past and stalked by an ominous creature lurking in the canal that she called the bonak. And now that she's searching for her mother, she'll have to face it."-- (Source of summary not specified) Gretel, A Lexicographer By Trade, Grew Up On A Houseboat With Her Mother, Wandering The Canals Of Oxford And Speaking A Private Language Of Their Own Invention. Her Mother Disappeared When Gretel Was A Teen, Abandoning Her To Foster Care, And Gretel Has Tried To Move On, Spending Her Days Updating Dictionary Entries. When Her Mother Phones, Gretel Will Have To Recover Buried Memories Of Her Final, Fateful Winter On The Canals. A Runaway Boy Had Found Community And Shelter With Them, And All Three Were Haunted By Their Past And Stalked By An Ominous Creature Lurking In The Canal That She Called The Bonak. And Now That She's Searching For Her Mother, She'll Have To Face It. Daisy Johnson.
