Paris is the grip of fear. One name is at the root of this panic: "Fantomas." In a matter of days, a wealthy heiress is hacked to death in her room. A young guest, Charles Rambert stands accused by his own father of the crime, and commits suicide. A Russian princess is robbed in her room. An English lord, a veteran of the Boer War, goes missing. One detective, Juve, knows that Fantomas is the mastermind of so much misery. Can he unmask the criminal in time? Or is this all a figment of Juve's mind? Pierre Souvestre and Marcel Allain's creation "Fantomas" is the pinnacle of pulp brilliance. He's one of the great literary super-villains, a shadowy crime-lord who "spreads terror" for the absolute pleasure of it. He doesn't want to rule the world. He makes his living from crime, but clearly enjoys the notoriety his crimes bring him. In a sense, Fantomas is a break-point between the fantastic qualities 19th century pulp, and the down-to-earth crime fiction of the mid-20th century. The first novel is a rip-roaring ride of horror and intrigue, as Fantomas layers scheme upon scheme, murdering and stealing for the pleasure of it. A master of disguise, Fantomas moves through the novel as an ambiguity, appearing as various people, usually people he has murdered, forwarding his loathsome schemes. Juve, also a master of disguise, is obsessed with capturing the fiend. He also moves as a shadow, under the guise of beggars and criminals, investigating each lead that might bring Fantomas to the guillotine. While the writing in Fantomas is fairly overwrought, it is also quite lush and lurid, sweeping up the reader and leading them to compulsively read the next exciting episode, as cliffhangers abound and plot-twists litter the landscape. A noblewoman is hacked to death in her chateau, a Russian princess is boldly robbed at a posh hotel, and a lord's lifeless body is found stuffed into a trunk. Everyone recognizes the deeds of Fantômas, a master of disguise whose daring and diabolical crimes paralyze Parisians with terror. One man has sworn to bring the phantom killer to justice: Inspector Juve, who ventures from dark alleys to brilliant salons in his relentless pursuit of the evil genius.The first volume in a series of wildly popular French thrillers, Fantômas created a sensation in pre-WWI Europe. The original pulp fiction, its appeal transcended every level of society. Cocteau, Colette, and Picasso were avid readers, and subsequent generations of artists, writers, and musicians have drawn inspiration from this enduringly stylish and suspenseful novel. “One episode simply melts away as the next takes over” (The New York Times) in this deliciously sinister turn-of-the-century tale of a French evil genius run rampant. Three appalling crimes leave all of Paris aghast: the Marquise de Langruen is hacked to death, the Princess Sonia is robbed, and Lord Beltham is found dead, stuffed into a trunk. Inspector Juve knows that all the clues point to one suspect: the master of disguise, Fantomas. Juve cleverly pursues him in speeding trains, down dark alleys, through glittering Parisian salons, obsessed with bringing the demon mastermind to justice. As thrilling to read now as it was when first published in 1915, Fantomas “is not a puzzle but an intoxicant” (The Village Voice). "A noblewoman is hacked to death in her chateau, a Russian princess is boldly robbed at a posh hotel, and a lord's lifeless body is found stuffed into a trunk. Everyone recognizes the deeds of Fantômas, a master of disguise whose daring and diabolical crimes paralyze Parisians with terror. One man has sworn to bring the phantom killer to justice: Inspector Juve, who ventures from dark alleys to brilliant salons in his relentless pursuit of the evil genius. The first volume in a series of wildly popular French thrillers, Fantômas created a sensation in pre-WWI Europe."--Back cover