History of Concepts : Comparative Perspectives

First introduction to an english-speaking audience of a field of research booming in continental Europe. Although Vastly Influential In German-speaking Europe, Conceptual History (begriffsgeschichte) Has Until Now Received Little Attention In English. This Genre Of Intellectual History Differs From Both The French History Of Mentalités And The Anglophone History Of Discourses By Positing The Concept - The Key Occupier Of Significant Syntactical Space - As The Object Of Historical Investigation. Contributions By Distinguished Practitioners And Critics Of Conceptual History From Europe And America Illustrate Both The Distinctiveness And Diversity Of The Genre. The First Part Of The Book Is Devoted To The Origins And Identity Of The Field, As Well As Methodological Issues. Part Two Presents Exemplary Studies Focusing Either On A Particular Concept (such As Maurizio Viroli's 'reason Of The State') Or A Particular Approach To Conceptual History (e.g. Bernard Scholz For Literary Criticism And Terence Ball For Political Science). The Final, Most Innovative Section Of The Book Looks At Concepts And Art - High, Bourgeois And Demotic. Here Bram Kempers Discusses The Conceptual History Of Raphael's Frescos In The Stanza Della Segnatura Of The Vatican; Eddy De Jongh Examines The Linguistic Character Of Much Dutch Genre Painting; And Rolf Reichardt Considers The Conceptual Structure Implicit In Card Games Of The French Revolution, Used To Induct Those On The Margins Of Literacy Into The New Revolutionary World-view. Edited By Iain Hampsher-monk, Karin Tilmans, Frank Van Vree. Includes Bibliographical References And Index. Although vastly influential in German-speaking Europe, conceptual history (Begriffsgeschichte) has until now received little attention in English. This genre of intellectual history differs from both the French history of mentalités and the Anglophone history of discourses by positing the concept - the key occupier of significant syntactical space - as the object of historical investigation. Contributions by distinguished practitioners and critics of conceptual history from Europe and America illustrate both the distinctiveness and diversity of the genre. The first part of the book is devoted to the origins and identity of the field, as well as methodological issues. Part two presents exemplary studies focusing either on a particular concept (such as Maurizio Viroli's 'Reason of the State') or a particular approach to conceptual history (e.g. Bernard Scholz for literary criticism and Terence Ball for political science). The final, most innovative section of the book looks at concepts and art - high, bourgeois and demotic. Here Bram Kempers discusses the conceptual history of Raphael's frescos in the Stanza della Segnatura of the Vatican; Eddy de Jongh examines the linguistic character of much Dutch genre painting; and Rolf Reichardt considers the conceptual structure implicit in card games of the French Revolution, used to induct those on the margins of literacy into the new revolutionary world-view Although vastly influential in German-speaking Europe, conceptual history (Begriffsgeschichte) has until now received little attention in English. This genre of intellectual history differs from both the French history of mentalites and the Anglophone history of discourses by positing the concept - the key occupier of significant syntactical space - as the object of historical investigation. Contributions by distinguished practitioners and critics of conceptual history from Europe and America illustrate both the distinctiveness and diversity of the genre. The first part of the book is devoted to the origins and identity of the field, as well as methodological issues. Part two presents exemplary studies focusing either on a particular concept (such as Maurizio Viroli's 'Reason of the State') or a particular approach to conceptual history (e.g. Bernard Scholz for literary criticism and Terence Ball for political science). The final, most innovative section of the book looks at concepts and art - high, bourgeois and demotic. Here Bram Kempers discusses the conceptual history of Raphael's frescos in the Stanza della Segnatura of the Vatican; Eddy de Jongh examines the linguistic character of much Dutch genre painting; and Rolf Reichardt considers the conceptual structure implicit in card games of the French Revolution, used to induct those on the margins of literacy into the new revolutionary world-view Hoewel enorm invloedrijk in Duitstalig Europa, heeft de conceptuele geschiedschrijving (Begriffsgeschichte) tot nu toe weinig aandacht in het Engels gekregen. Dit genre van intellectuele geschiedschrijving verschilt van zowel de Franse geschiedschrijving van mentalités als de Engelstalige geschiedschrijving van verhandelingen door het concept. Aan de hand van practische voorbeelden in de geschiedschrijving wordt deze vorm toegelicht door Bram Kempers, Eddy de Jongh en Rolf Reichardt