Hot Sky at Midnight

Several decades into the future, the long series of corporate and government decisions that favored short-term profit over long-term solutions to ecological problems and pollution has left the Earth in a state of disaster, almost uninhabitable. The icecaps have melted and many coastal communities have been flooded out. The ozone layer is destroyed. There are some areas that are livable with breathing masks and injections that protect the skin from the now-deadly rays of the sun but the refuge, for all who can afford it, has become the near-space orbital colonies built and run by private companies and open only to those who are willing and able to pay. Valparaiso Nuevo is one of these colonies. Run by a shadowy dictator known only as the Generalissimo, it is haven and a center of action for hustlers, conspirators and people looking for an edge. Victor Farkas, operative of the megacorporation Kyocera-Merck Ltd., is blind but gifted with hypersensitive "blindsight." He comes to the habitat in search of a renegade geneticist of legendary skill. Back on Earth, Nick Rhodes, head of Samurai Industries, which is attempting to breed humans that can thrive in the horrendous conditions expected to prevail on Earth struggles with his conscience as he manipulates genetic structures and lives. Paul Carpenter works for a Japanese mega-corporation, seeking promotion and survival, but loses his job as a ship captain after a mutiny. Rhodes introduces him to an acquaintance of his girlfriend Isabelle. Jolanda is a talented sculptor, a passionate lover and a secret plotter. She embroils Carpenter in a scheme to take over Valparaiso Nuevo along with Enron, an Israeli spy, Farkas, and Rhodes. Their goals are individually motivated but the deadly combination of ambition, distrust, greed, stupidity, and lust leads to a dramatic conclusion that replicates in miniature the history of man's destruction of his own living space on the planet. Several decades into the future, the long series of corporate and government decisions that favored short-term profit over long-term solutions to ecological problems and polution has left the Eath in a state of disaster, almost uninhabitable. The icecap have melted and many coastal communities have been flooded out. The ozone layer is destroyed. There are some areas that are livable with breathing masks and injections that protect the skin from the now-deadly rays of the sun but the refuge, for all who can afford it, has become the near-space orbital colonies built and run by private companies and open only to those who are willing and able to pay. Valparaiso Nuevo is one of these colonies. Run by a shadowy dictator known only as the Generalissimo, it is haven and a center of action for hustlers, conspirators and people looking for an edge. Victor Farkas, operative of the megacorporation Kyocera-Merck Ltd., is blind but gifted with hypersensitive "blindsight." He comes to the habitat in search of a renegade geneticist of legendary skill. Back on Earth, Nick Rhodes, head of Samurai Industries, which is attempting to breed humans that can thrive in the horrendous conditions expected to prevail on Earth struggles with his conscience as he manipulates genetic structures and lives. Paul Carpenter works for a Japanese mega-corporation, seeking promotion and survival, but loses his job as a ship captain after a mutiny. Rhodes introduces him to an acquaintance of his girlfriend Isabelle. Jolanda is a talented sculptor, a passionate lover and a secret plotter. She embroils Carpenter in a scheme to take over Valparaiso Nuevo along with Enron, an Israeli spy, Farkas, and Rhodes. Their goals are individually motivated but the deadly combination of ambition, distrust, greed, stupidity, and lust leads to a dramatic conclusion that replicates in miniature the history of man's destruction of his own living space on the planet. A bleak picture of future Earth and a complex plot peopled with dark, rich characters, comes together as one of Silverberg's finer novels “Intelligent and engaging science fiction” set against the backdrop of an environmental apocalypse from the SF Grand Master (The Washington Post). Not so very far in the future, the icecaps have melted and many coastal communities have been flooded out. The ozone layer is destroyed. Some areas are livable with breathing masks and injections that protect the skin from the now-deadly rays of the sun, but the only real refuge—for those who can afford it—has become the near-space orbital colonies built and run by private companies. Valparaiso Nuevo is one of these colonies—a haven and a center of action for hustlers, conspirators, and people looking for an edge. It is also the target of a disillusioned group of humans who become embroiled in a scheme to overthrow it. Their goals are individually motivated but the deadly combination of ambition, distrust, greed, stupidity, and lust leads to a dramatic conclusion that replicates in miniature the history of man’s destruction of his own living space on the planet. A bleak picture of future Earth and a complex plot peopled with dark, rich characters, comes together as one of Silverberg’s finer novels. “Silverberg focuses on his characters and their ruined world, providing a convincing portrayal of life in a greenhouse effect-cursed future. . . . [He] delivers powerful images of a world blighted by ecological abuse, and a satisfying novel as well.” —Publishers Weekly “It’s definitely major Silverberg and as such deserves all the readers it will undoubtedly get.” —Booklist Dedication ; Epigraph ; Introduction; That's my mark ... ; Carpenter's window ... ; The man's name is Wu Fang-shui ... ; It was ten in the morning ... ; Farkas said ... ; Carpenter was the first ... ; The shell of the El Mirador ... ; At quarter of eight sharp ... ; The Kyocera-Merck research satellite ... ; The Port of Oakland was a crazy maze ... ; Enron said ... ; Out here in the chilly zone ... ; The annunciator said ... ; Eron said ... ; Toward sunset ... ; For Farkas ... ; Nakamura made a small ... ; Hitchcock said ... ; By the time Enron returned ... ; It was raining cats and dogs ... ; Alone in his hotel room ... ; The rain gave out .. Isabelle said ... Farkas had never seen ... ; I shouldn't ... ; Davidov said ... ; Carpenter dreamed ... ; Rhodes was clearing ... ; Carpenter sat back ..