Representing a wide range of critical and theoretical perspectives, this volume examines J.M. Coetzee's novels from Dusklands to Diary of a Bad Year. The choice of essays reflects three broad goals: aligning the South African dimension of Coetzee's writing with his "late modernist" aesthetic; exploring the relationship between Coetzee's novels and his essays on linguistics; and paying particular attention to his more recent fictional experiments. These objectives are realized in essays focusing on, among other matters, the function of names and etymology in Coetzee's fiction, the vexed relationship between art and politics in apartheid South Africa, the importance of film in Coetzee's literary sensibility, Coetzee's reworkings of Defoe, the paradoxes inherent in confessional narratives, ethics and the controversial politics of reading Disgrace, intertextuality and the fictional self-consciousness of Slow Man. Through its pronounced emphasis on the novelist's later work, the collection points towards a narrato-political and linguistic reassessment of the Coetzee canon. Representing A Wide Range Of Critical And Theoretical Perspectives, This Volume Examines J.m. Coetzee's Novels From Dusklands To Diary Of A Bad Year. The Choice Of Essays Reflects Three Broad Goals: Aligning The South African Dimension Of Coetzee's Writing With His Late Modernist Aesthetic; Exploring The Relationship Between Coetzee's Novels And His Essays On Linguistics; And Paying Particular Attention To His More Recent Fictional Experiments. --book Jacket. Introduction: After Disgrace: Lord And Lady Chandos In Cape Town And Adelaide / Graham Bradshaw -- Coetzee's Artists: Coetzee's Art / Derek Attridge -- Responses To Space And Spaces Of Response In J.m. Coetzee / Carrol Clarkson -- Coetzee On Film / Lindiwe Dovey And Teresa Dovey -- The Language Of The Heart: Confession, Metaphor And Grace In J.m. Coetzee's Age Of Iron / Michael Neill -- Disgrace As An Uncanny Revision Of Gordimer's None To Accompany Me / Lars Engle -- Scenes From A Dry Imagination: Disgrace And Embarrassment / Myrtle Hooper -- David Lurie's Learning And He Meaning Of J.m. Coetzee's Disgrace / Laurence Wright -- J.m. Coetzee And South Africa: Thoughts On The Social Life Of Fiction / David Attwell -- The True Words At Last From The Mind In Ruins: J.m. Coetzee And Realism / Jonathan Lamb -- Pity And Autonomy: Coetzee, Costello And Conrad / Graham Bradshaw -- Slow Man And The Real: A Lesson In Reading And Writing / Zoë Wicomb -- Close Encounters: The Author And The Characters In Elizabeth Costello, Slow Man And Diary Of A Bad Year / Barbara Dancygier. Edited By Graham Bradshaw And Michael Neill. Includes Bibliographical References (p. [253]-264) And Index. Contents 6 Contributors 8 Introduction: After “Disgrace”: Lord and Lady Chandos in Cape Town and Adelaide 12 1 Coetzee’s Artists; Coetzee’s Art 36 2 Responses to Space and Spaces of Response in J.M. Coetzee 54 3 Coetzee on Film 68 4 “The Language of the Heart”: Confession, Metaphor and Grace in J.M. Coetzee’s Age of Iron 90 5 Disgrace as an Uncanny Revision of Gordimer’s None to Accompany Me 118 6 “Scenes from a dry imagination”: Disgrace and Embarrassment 138 7 David Lurie’s Learning and the Meaning of J.M. Coetzee’s Disgrace 158 8 J.M. Coetzee and South Africa: Thoughts on the Social Life of Fiction 174 9 “The true words at last from the mind in ruins”: J.M. Coetzee and Realism 188 10 Pity and Autonomy: Coetzee, Costello and Conrad 202 11 Slow Man and the Real: A Lesson in Reading and Writing 226 12 Close Encounters 242 Works Cited 264 Index 276 Representing a wide range of critical and theoretical perspectives, this volume seeks to align the South African dimension of Coetzee's writing with his "late modernist" aesthetic. It includes essays exploring the relationship between Coetzee's novels and his work on linguistics; and, by paying particular attention to the novelist's more recent fictional experiments, the collection points towards a narrato-political and linguistic reassessment of the Coetzee canon Representing a wide range of critical and theoretical perspectives, this title examines J M Coetzee's novels from "Dusklands" to "Diary of a Bad Year". Emphasising on the novelist's later work, it points towards a narrato-political and linguistic reassessment of the Coetzee canon.