Nadja -Op/73
by André Breton; translated from the French by Richard Howardقیمت نهایی
۴۰٬۰۰۰ تومان۴۹٬۰۰۰ تومان۱۸٪ تخفیف
- تخفیف زماندار−۹٬۰۰۰ تومان
۹٬۰۰۰ تومان صرفهجویی نسبت به قیمت اصلی
نسخه اصلی و اورجینال
بلافاصله پس از خرید، فایل کتاب روی دستگاه شما آمادهٔ دانلود است.
تحویل فوری
پرداخت امن
ضمانت فایل
پشتیبانی
مشخصات کتاب
- ناشر
- Grove Press
- سال انتشار
- ۱۹۶۰
- فرمت
- زبان
- انگلیسی
- حجم فایل
- ۱۲٫۳ مگابایت
- شابک
- 9780394173931، 9780802141415، 9780802150264، 0394173937، 0802141412، 0802150268
دربارهٔ کتاب
Nadja, originally published in France in 1928, is the first and perhaps best Surrealist romance ever written, a book which defined that movement's attitude toward everyday life.The principal narrative is an account of the author's relationship with a girl in the city of Paris, the story of an obsessional presence haunting his life. The first-person narrative is supplemented by forty-four photographs which form an integral part of the work--pictures of various 'surreal' people, places, and objects which the author visits or is haunted by in Nadja's presence and which inspire him to meditate on their reality or lack of it. Translated by Richard Howard Nadja, originally published in France in 1928, is the first and perhaps best Surrealist romance ever written, a book which defined that movement's attitude toward everyday life. The principal narrative is an account of the author's relationship with a girl in the city of Paris, the story of an obsessional presence haunting his life. The first-person narrative is supplemented by forty-four photographs which form an integral part of the work -- pictures of various 'surreal' people, places, and objects which the author visits or is haunted by in Nadja's presence and which inspire him to meditate on their reality or lack of it The first surrealist romance, the principle narrative of Nadja is an account of the author's relationship with a girl in the city of Paris. The first-person narrative is supplemented by forty-four photographs of various surreal people, places, and objects which the author visits or is haunted by in Nadjar's presence, and which inspire him to meditate on their reality or lack of it. Who am I? If this once I were to rely on a proverb, then perhaps everything would amount to knowing whom I "haunt."
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