One Crazy Summer

Tonal Harmony, written by Stefan Kostka and Dorothy Payne, is a key text in musical theory that clearly and structured the concepts of tonal harmony, from the basics to more complex ideas. It includes practical exercises, analysis of scores and a historical approach that enriches learning, making it a resource widely used in music and universities schools. In addition, it usually offers complementary material, such as study guides and online resources, which reinforce the concepts treated. Cover......Page 1 Title......Page 4 Copyright......Page 5 Contents......Page 6 CHAPTER 1 Elements of Pitch......Page 8 CHAPTER 2 Elements of Rhythm......Page 18 CHAPTER 3 Introduction to Triads and Seventh Chords......Page 26 CHAPTER 4 Diatonic Chords in Major and Minor Keys......Page 38 CHAPTER 5 Principles of Voice Leading......Page 42 CHAPTER 6 Root-Position Part Writing......Page 48 CHAPTER 7 Harmonic Progression and the Sequence......Page 62 CHAPTER 8 Triads in First Inversion......Page 68 CHAPTER 9 Triads in Second Inversion......Page 78 CHAPTER 10 Cadences, Phrases, Periods, and Sentences......Page 86 CHAPTER 11 Two-Part Tonal Counterpoint......Page 94 CHAPTER 12 Nonchord Tones 1......Page 98 CHAPTER 13 Nonchord Tones 2......Page 106 CHAPTER 14 The V[sup(7)] Chord......Page 112 CHAPTER 15 Other Diatonic Seventh Chords......Page 130 CHAPTER 16 Secondary Functions 1......Page 140 CHAPTER 17 Secondary Functions 2......Page 154 CHAPTER 18 Modulations Using Diatonic Common Chords......Page 168 CHAPTER 19 Some Other Modulatory Techniques......Page 184 CHAPTER 20 Larger Forms......Page 192 CHAPTER 21 Mode Mixture and the Neapolitan......Page 210 CHAPTER 22 Augmented Sixth Chords......Page 224 CHAPTER 23 Enharmonic Spellings and Enharmonic Modulations......Page 238 CHAPTER 24 Further Elements of the Harmonic Vocabulary......Page 250 CHAPTER 25 Tonal Harmony in the Late Nineteenth Century......Page 260 CHAPTER 26 Materials and Techniques......Page 276 CHAPTER 27 Post-Tonal Theory......Page 304 CHAPTER 28 New Directions......Page 326 Each Set Of Exercises In The Workbook Is Closely Correlated With The Corresponding Chapter Of The Text And With A Particular Self-test Within The Chapter. Each Set Of Workbook Exercises Begins With Problems Similar To Those Found In The Corresponding Self-test, But The Workbook Exercises Also Include Problems That Are Too Open-ended For The Self-test Format As Well As More Creative Types Of Compositional Problems For Those Instructors Who Like To Include This Type Of Work.