Reality and Its Dreams

Raymond Geuss is one of the most inventive and distinctive voices in contemporary political philosophy and a trenchant critic of the field's dominant assumptions. In Reality and Its Dreams, he challenges the "normative turn" in political philosophy--the idea that the right approach to politics is to start from thinking abstractly about our own normative views and then, when they have been clarified and systematized, apply them to judging political structures, decisions, and events. Rather, the study of politics should be focused on the sphere of real politics, not least because normative judgments always arise from concrete historical configurations of power, including ideological power. It is possible to do this without succumbing to a numbing or toxic form of relativism or abandoning utopianism, although utopianism needs to be reunderstood. The utopian impulse is not an attempt to describe a perfect society but an impulse to think the impossible in politics, to articulate deep-seated desires that cannot be realized under current conditions, and to imagine how conditions that seem invariant can be changed. Geuss ranges widely across philosophy, literature, and art, exploring past and present ideas about such subjects as envy, love, satire, and evil and the work of figures as diverse as John Rawls, St. Augustine, Rabelais, and Russell Brand. His essays provide a bracing critique of ideas, too often unexamined, that shape and misshape our intellectual and political worlds. "This book tries to argue for both of two theses that some have thought are incompatible, one negative, the other positive. To start with the negative thesis, the book opposes the 'normative turn' in political philosophy: the idea that the right approach to politics is to start from thinking abstractly about our own normative views and apply them to judging political structures, decisions, and events. Rather, the book argues, the study of politics should be focused on the historically and sociologically contextualized sphere of real politics. The second, and positive thesis, is that opposition to the 'normative turn' need not mean the end of utopianism, although that utopianism needs to be re-understood. The utopian impulse is not an attempt to describe a perfect society, but an impulse to think the impossible in politics. That is, it is an attempt to articulate deep-seated desires that cannot be realized under current conditions and to imagine how structures and forms of action that now seem invariant can be changed."--Provided by publisher Contents Preface 1. Dystopia: The Elements 2. Realism and the Relativity of Judgment 3. Chaos and Ethics 4. Russell Brand, Lady T, Pisher Bob, and Preacher John 5. The Idea of a Critical Theory, Forty Years On 6. István Hont (1947–2013) 7. The Moral Legacy of Marxism 8. Economies: Good, Bad, Indifferent 9. Can the Humanities Survive Neoliberalism? 10. Identification and the Politics of Envy 11. Identity, Property, and the Past 12. The Future of Evil 13. Satire, Who Whom? 14. The Radioactive Wolf, Pieing, and the Goddess Fashion 15. What Time Is It? 16. Augustine on Love, Perspective, and Human Nature Notes Index One of political philosophy’s most trenchant and inventive critics challenges the field’s normative turn, arguing that the study of politics should focus on real politics, where normative judgments arise from concrete configurations of power. Raymond Geuss shows how this can be done without succumbing to a toxic relativism or abandoning utopianism.