The green man

The Green Man, the image of the foliate head or the head of a man sprouting leaves, is probably the most common of all motifs in medieval sculpture. Nevertheless, the significance of the image lay largely unregarded until Kathleen Basford published this book - the first monograph of the Green Man in any language -and thereby earned the lasting gratitude of scholars in many fields, from art history and folklore to current environmental studies. This book has opened up new avenues of research, not only into medieval man's understanding of nature, and into conceptions of death, rebirth and resurrection in the middle ages, but also into our concern today with ecology and our relationship with the green world. It is therefore a work of living scholarship and its publication in paperback will be greatly and justly welcomed. "The foliate head has been used as an ornament in the church since the fourth or fifth century, first as a 'borrowed' motif or as an actual relic of antiquity, but gradually modified to suit particular decorative requirements and to express particular ideas. A tradition of meaning was established for it in the early middle ages, but as the fantasy was spun out and expanded in the thirteenth century its possibilities of meaning were explored no less imaginatively than its decorative possibilities. The Green Man carvings of the thirteenth, fourteenth and fifteenth centuries have many different shades and slants of meaning: some are demons, and may well refer back to the idea of the Devil as radix omnium malorum, the root of all evil; some probably represent lost souls or spectres of the demon wood. Some are far more complex: the more realistic representation of both the human and the plant elements of the motif permits a deeper exploration of the ambivalent relationship between man and nature, and there are further allusions to man's own frail, fallen and concupiscent nature and to his brief life on earth. The imagery is often ambiguous, and a Green Man who at first glance may seem the very personification of springtime and 'summer is i-comen in' may on closer inspection reveal himself as a deadly horror hidden in the leaves." "Kathleen Basford's introduction surveys the history and development of the Green Man from prototypes in antique and early medieval ornament to the great period of Gothic architecture, when foliate heads are frequent."--Jacket Delightful, oft-reprinted guide to the foliate heads so common in medieval sculpture. This was the first-ever monograph dedicated to the Green Man. The Green Man, the image of the foliate head or the head of a man sprouting leaves, is probably the most common of all motifs in medieval sculpture. Nevertheless, the significance of the image lay largely unregarded until KathleenBasford published this book - the first monograph of the Green Man in any language -and thereby earned the lasting gratitude of scholars in many fields, from art history and folklore to current environmental studies. This book has opened up new avenues of research, not only into medieval man's understanding of nature, and into conceptions of death, rebirth and resurrection in the middle ages, but also into our concern today with ecology and our relationship with the green world. It is therefore a work of living scholarship and its publication in paperback will be greatly and justly welcomed. Kathleen Basford. Includes Index. Bibliography: P. [23]-24.