The Humbling

Everything is over for Simon Axler, the protagonist of Philip Roth s startling new book. One of the leading American stage actors of his generation, now in his sixties, he has lost his magic, his talent, and his assurance. His Falstaff and Peer Gynt and Vanya, all his great roles, "are melted into air, into thin air." When he goes onstage he feels like a lunatic and looks like an idiot. His confidence in his powers has drained away; he imagines people laughing at him; he can no longer pretend to be someone else. "Something fundamental has vanished." His wife has gone, his audience has left him, his agent can t persuade him to make a comeback.Into this shattering account of inexplicable and terrifying self-evacuation bursts a counterplot of unusual erotic desire, a consolation for a bereft life so risky and aberrant that it points not toward comfort and gratification but to a yet darker and more shocking end. In this long day s journey into night, told with Roth s inimitable urgency, bravura, and gravity, all the ways that we convince ourselves of our solidity, all our life s performances talent, love, sex, hope, energy, reputation are stripped off.The Humbling is Roth s thirtieth book. Everything is over for Simon Axler, the protagonist of Philip Roth's startling new book. One of the leading American stage actors of his generation, now in his 60s, he has lost his magic, his talent, and his assurance. His Falstaff and Peer Gynt and Vanya, all his great roles, "are melted into air, into thin air". When he goes on stage he feels like a lunatic and looks like an idiot. His confidence in his powers has drained away; he imagines people laughing at him; he can no longer pretend to be someone else. "Something fundamental has vanished." His wife has gone, his audience has left him, his agent can't persuade him to make a comeback. Into this shattering account of inexplicable and terrifying self-evacuation bursts a counterplot of unusual erotic desire, a consolation for the bereft life so risky and aberrant that it points not toward comfort and gratification but to a yet darker and more shocking end. In this long day's journey into night, told with Roth's inimitable urgency, bravura, and gravity, all the ways that we persuade ourselves of our solidity, all our life's performances - talent, love, sex, hope, energy, reputation - are stripped off. Following the dark meditations on mortality and endings in Everyman and Exit Ghost, and the bitterly ironic retrospective on youth and chance in Indignation, Roth has written another in his haunting group of late novels.

Everything is over for Simon Axler, the protagonist of Philip Roth’s startling new book. One of the leading American stage actors of his generation, now in his sixties, he has lost his magic, his talent, and his assurance. His Falstaff and Peer Gynt and Vanya, all his great roles, "are melted into air, into thin air." When he goes onstage he feels like a lunatic and looks like an idiot. His confidence in his powers has drained away; he imagines people laughing at him; he can no longer pretend to be someone else. "Something fundamental has vanished." His wife has gone, his audience has left him, his agent can’t persuade him to make a comeback.

Into this shattering account of inexplicable and terrifying self-evacuation bursts a counterplot of unusual erotic desire, a consolation for a bereft life so risky and aberrant that it points not toward comfort and gratification but to a yet darker and more shocking end. In this long day’s journey into night, told with Roth’s inimitable urgency, bravura, and gravity, all the ways that we convince ourselves of our solidity, all our life’s performances—talent, love, sex, hope, energy, reputation—are stripped off.

The Humbling is Roth’s thirtieth book.

What happens when all the ways that we convince ourselves of our solidity, all our life's performances -- talent, love, sex, hope, energy, reputation -- are stripped off? Simon Axler, one of the leading American stage actors of his generation, is about to find out. Now in his sixties, he has lost his magic, his talent, and his assurance. His wife has gone, his audience has left him, his agent can't persuade him to make a comeback. Into this shattering account of inexplicable and terrifying self-evacuation bursts a counterplot of unusual, all consuming, erotic desire, a consolation for the bereft life so risky and aberrant that it points not toward comfort and gratification but to a darker and more shocking end Alt er over for Simon Axler, hovedpersonen i Philip Roths nye roman. Han har vært en av Amerikas mest kjente skuespillere i sin generasjon, men nå midt i sekstiårene har han mistet sin magi, sitt talent og sin trygghet. Når han går på scenen føler han at folk ler av han, og han klarer ikke lengre late som han er en annen. Hans kone har gått fra han og publikum forlatt han, og selv hans agent kan ikke overtale han til å gjøre comeback. I denne trøstesløse epoken av livet blir han grepet av et voldsomt og mørkt begjær A haunting, incisive and honest new work of fiction from a legendary writer, told with Roth's inimitable urgency, bravura, and gravity, that strips off all the ways in which we persuade ourselves of our solidity.