The Iguana

The Iguana (IT 1965; EN 1986)In this magical novel a Milanese count stumbles upon a desolate community of lost noblemen on an uncharted island off the coast of Portugal. When he discovers, to his utter amazement, that their ill-treated servant is in fact a maiden iguana, and then proceeds to fall in love with her, the story of Aleardo, Estralitta and don Ilario becomes universal -- the fantastic merges with the commonplace until a resonant reality emerges with subtle distillation. From first page to last, the reader is given a tale of tragic love and delusion that ranks among the most affecting in contemporary literature. The Iguana has the force of "The Tempest," and is written with a grace comparable in every way to the works of Izak Dinesen and Djuna Barnes. Little wonder, then, that this novel was called by the noted critic Pietro Citati, "one of the very few books destined to redeem the honor of Italian literature since the Second World War." First published in Italian in 1965, where it was awarded the Fiuggi Prize, this masterpiece is by one of the original Italian "magic realists."Anna Maria Ortese, June 13, 1914 – March 9, 1998) was an Italian author of novels, short stories, poetry, and travel writing.[1] Born in Rome, she grew up between southern Italy and Tripoli, with her formal education ending at age thirteen. Her first book, Angelici dolori, was issued in 1937. In 1953 her third collection, Il mare non bagna Napoli, won the coveted Viareggio Prize; thereafter, Ortese's stories, novels, and journalism received many of the most distinguished Italian literary awards, including the Strega and the Fiuggi. Although she lived for many years in Naples following the Second World War, she also resided in Milan, in Rome, and for most of the last twenty years of her life in Rapallo. L'iguana, Ortese’s best known work in English translation, was published in 1987 as The Iguana by the American literary press McPherson & Company.(source: Wikipedia)