Noel
Carroll, film scholar and philosopher, offers the first serious look at
the aesthetics of horror. In this book he discusses the nature and
narrative structures of the genre, dealing with horror as a “transmedia”
phenomenon. A fan and serious student of the horror genre, Carroll
brings to bear his comprehensive knowledge of obscure and forgotten
works, as well as of the horror masterpieces. Working from a
philosophical perspective, he tries to account for how people can find
pleasure in having their wits scared out of them. What, after all, are
those “paradoxes of the heart” that make us want to be horrified?
Carroll, film scholar and philosopher, offers the first serious look at
the aesthetics of horror. In this book he discusses the nature and
narrative structures of the genre, dealing with horror as a “transmedia”
phenomenon. A fan and serious student of the horror genre, Carroll
brings to bear his comprehensive knowledge of obscure and forgotten
works, as well as of the horror masterpieces. Working from a
philosophical perspective, he tries to account for how people can find
pleasure in having their wits scared out of them. What, after all, are
those “paradoxes of the heart” that make us want to be horrified?
ترجمه فارسی (ترجمه ماشینی)
نوئل
کارول، محقق و فیلسوف سینما، اولین نگاه جدی را به
ارائه می دهد
زیبایی شناسی وحشت او در این کتاب به بحث طبیعت و
می پردازد
ساختارهای روایی این ژانر، با ترس به عنوان یک “ترانس مدیا” سروکار دارد
پدیده یکی از طرفداران و شاگرد جدی ژانر وحشت، کارول
دانش جامع او را از مبهم و فراموش شده
به ارمغان می آورد
آثار و همچنین شاهکارهای ترسناک. کار از یک
از دیدگاه فلسفی، او سعی می کند توضیح دهد که مردم چگونه می توانند
را پیدا کنند
از ترسیدن عقلشان از آنها لذت می برند. چه چیزی، پس از همه،
آن “پارادوکس های قلب” که باعث می شود ما بخواهیم وحشت کنیم؟
نقد و بررسیها
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