Thelonious Monk Quartet featuring John Coltrane at Carnegie Hall

In Early 2005, An Engineer At The Library Of Congress Accidentally Discovered, In An Unmarked Box, The Recording Of Thelonious Monk's And John Coltrane's Performance At A 1957 Benefit Concert At Carnegie Hall. Long Considered One Of The Most Important Musical Meetings In Modern Jazz, Monk's And Coltrane's Work Together During A Scant Few Months In 1957 Had, Until This Discovery, Been Thought To Be Almost Entirely Undocumented. In This Book, Gabriel Solis Provides An Historical, Cultural, And Analytical Study Of This Landmark Recording, Which Was Released By Blue Note Records Later In 2005. Taking A Wide-ranging Approach To The Recording, Solis Addresses Issues Of Liveness, Jazz Teaching And Learning, Enculturation, And Historiography. Because Nearly A Half Century Passed Between When The Recording Was Made And Its Public Release, It Is A Particularly Interesting Lens Through Which To View Jazz Both As A Historical Tradition And As A Contemporary Cultural Form. Most Importantly Solis Accounts For The Music Itself. Offering In Depth Analytical Discussions Of Each Composition, As Well As Monk's And Coltrane's Improvisational Performances He Provides Insight Into Monk's Impact On Coltrane As He Developed His Signature Sheets Of Sound Style, As Well As Into The Influence Of A Strong Side-man, Like Coltrane, On Monk At His Creative And Professional Peak. The First Study Of One Of The Most Significant Jazz Releases Of The Twenty-first Century, Thelonious Monk Quartet With John Coltrane At Carnegie Hall Is Essential Reading For All Jazz Scholars, Students, Musicians, And Fans [publisher Description] Monk With Coltrane -- The Morningside Community Center Benefit And The Jazz Concert As An Institution To 1957 -- Monk's Mood And Crepuscule With Nellie -- Evidence And Nutty -- Bye-ya And Sweet And Lovely -- Blue Monk And Epistrophy -- The Recording In Its Time. Gabriel Solis. Includes Bibliographical References And Index. Thelonious Monk Quartet with John Coltrane at Carnegie Hall is an historical, cultural, and analytical study of the album by the same name. Recorded in 1957, but lost until 2005, it is a particularly interesting lens through which to view jazz both as a historical tradition and as a contemporary cultural form