Toros and Torsos

Hector Lassiter is a legendary crime novelist who writes what he lives and lives what he writes. But Hector frequently goes a step beyond, drawing friends and lovers into the tawdry and turbulent territory of his fiction. Now, the large-living pulp author has at last met his match in the ultimate performance artist: a phantom killer committed to the art of murder… a blood-thirsty provocateur who leaves a string of macabre tableaus modeled on famous works of surrealist painting and photography… Against the vivid backdrops of a killer hurricane that nearly destroyed the Florida Keys in 1935, the Spanish Civil War, post-war Hollywood and the first days of the Castro regime in Cuba, Hector engages in a decades-long duel against a cabal of killer artists… As in its Edgar®-nominated predecessor Head Games, history and myth merge, drawing on recent scholarship pointing to the existence of a dark underground of artists, photographers and art collectors that flourished in Europe and United States through most of the Twentieth Century. In a blood-limned haze of love, deception, murderous metaphor and devastating betrayal, nothing is what it seems and obsession and creativity collide in a wicked and unexpected climax that will shake the art world to its foundations… A bold, ambitious, genre-bending novel from the talented Craig McDonald. - GEORGE PELECANOS, THE TURNAROUND In Toros & Torsos Craig McDonald takes pop culture, real people and invented action to create a powerful novel of suspense. It gives one the slippery sensation of time-travelling with characters you'd always wished you could meet and suddenly you can. McDonald is knowing and artful, and the suspense pushes at a lovely pace until it starts to stomp like Hemingway on an empty bota. - DANIEL WOODRELL, WINTER'S BONE In his lush, sprawling second novel, Toros & Torsos, Craig McDonald draws together both the timeliest markers of mid-century America-modernism, surrealism, film noir, pulp fiction, communism-and the eternal touchstones of classic crime literature-desire, chaos, obsession and loss. It is a bold, bloody landscape, but McDonald never lets its scale become so big that we lose sight of the lively characters at its dark center. Wily and wistful Hector Lassiter, a complicated, rueful and haunted Ernest Hemingway and dozens more draw us close to their chests, anchor us, win our favor and, in the end, break our hearts. - MEGAN ABBOTT, Edgar® Award-winning author of QUEENPIN