Using the sky : a dance

In the mid 1990’s Deborah Hay’s work took a new turn. From her early experiments with untrained dancers, and after a decade of focusing on solo work, the choreographer began to explore new grounds of choreographic notation and transmission by working with experienced performers and choreographers. Using the Sky: a dance follows a similar path as Hay’s previous books― Lamb at the Altar and My Body the Buddhist ―by exploring her unrelenting quest for ways to both define and rethink her choreographic imagery through a broad range of alternately intimate, descriptive, poetic, analytical and often playful engagement with language and writing. This book is a reflection on the experiments that Hay set up for herself and her collaborators, and the ideas she discovered while choreographing four dances, If I Sing to You (2008), No Time to Fly (2010), A Lecture on the Performance of Beauty (2003), and the solo My Choreographed Body (2014). The works are revisited by unfolding a trove of notes and journal entries, resulting in a dance score in its own right, and providing an insight into Hay’s extensive legacy and her profound influence on the current conversations in contemporary performance arts. In the mid 1990’s Deborah Hay’s work took a new turn. From her early experiments with untrained dancers, and after a decade of focusing on solo work, the choreographer began to explore new grounds of choreographic notation and transmission by working with experienced performers and choreographers. __Using the Sky: a dance____Lamb at the Altar__ __My Body the Buddhist__This book is a reflection on the experiments that Hay set up for herself and her collaborators, and the ideas she discovered while choreographing four dances, __If I Sing to You__ (2008), __No Time to Fly__ (2010), __A Lecture on the Performance of Beauty__ (2003), and the solo __My Choreographed Body__ (2014). The works are revisited by unfolding a trove of notes and journal entries, resulting in a dance score in its own right, and providing an insight into Hay’s extensive legacy and her profound influence on the current conversations in contemporary performance arts. In The Mid 1990's Deborah Hay's Work Took A New Turn. From Her Early Experiments With Untrained Dancers, And After A Decade Of Focusing On Solo Work, The Choreographer Began To Explore New Grounds Of Choreographic Notation And Transmission By Working With Experienced Performers And Choreographers. This Book Is A Reflection On The Experiments That Hay Set Up For Herself And Her Collaborators, And The Ideas She Discovered While Choreographing Four Dances, If I Sing To You (2008), No Time To Fly (2010), A Lecture On The Performance Of Beauty (2003), And The Solo My Choreographed Body (2014). The Works Are Revisited By Unfolding A Trove Of Notes And Journal Entries, Resulting In A Dance Score In Its Own Right, And Providing An Insight Into Hay's Extensive Legacy And Her Profound Influence On The Current Conversations In Contemporary Performance Arts. Deborah Hay. Includes Bibliographical References (page 138).