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نویسندهالهام‌گیری

Writing Intersectional Identities : Keywords for Creative Writers

Adsit, Janelle, Byrd, Renée M.

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مشخصات کتاب

سال انتشار
۲۰۱۹
فرمت
PDF
زبان
انگلیسی
حجم فایل
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دربارهٔ کتاب

Is it okay to write about people of other genders, races and identities? And how do I do this responsibly? Whether you are working in fiction, poetry, drama or creative non-fiction, becoming conscious of how you represent people of different social identities is one of the most important responsibilities you have as a writer. This is the first practical guide to thinking and writing reflectively about these issues. Organised in an easy-to-use A to Z format for practicing writers, teachers and students, Writing Intersectional Identities covers such key terms as: Appropriation Authenticity Body Class Counternarrative Disability Essentialism Gender Indigenous Power Privilege Representation The book is meant for writers of fiction, poetry, screenplays and creative non-fiction who are seeking to develop a writing practice that is attentive to the world. The book is supported by a companion website at www.criticalcreativewriting.com. Is it okay to write about people of other genders, races and identities? And how do I do this responsibly? Whether you are working in fiction, poetry, drama or creative non-fiction, becoming conscious of how you represent people of different social identities is one of the most important responsibilities you have as a writer. This is the first practical guide to thinking and writing reflectively about these issues. Organised in an easy-to-use A to Z format for practicing writers, teachers and students, Writing Intersectional Identities covers such key terms Appropriation Authenticity Body Class Counternarrative Disability Essentialism Gender Indigenous Power Privilege Representation The book is meant for writers of fiction, poetry, screenplays and creative non-fiction who are seeking to develop a writing practice that is attentive to the world. The book is supported by a companion website at (http://www.criticalcreativewriting.org) www.criticalcreativewriting.org . Is It Okay To Write About People Of Other Genders, Races And Identities? And How Do I Do This Responsibly? Whether You Are Working In Fiction, Poetry, Drama Or Creative Non-fiction, Becoming Conscious Of How You Represent People Of Different Social Identities Is One Of The Most Important Responsibilitiesyou Have As A Writer. This Is The First Practical Guide To Thinking And Writing Reflectively About These Issues. Organised In An Easy-to-use A To Z Format For Practicing Writers, Teachers And Students, Writing Intersectional Identities Covers Such Key Terms As: · Appropriation · Authenticity · Body · Class · Counternarrative · Disability · Essentialism · Gender · Indigenous · Power · Privilege · Queer · Representation The Book Is Meant For Writers Of Fiction, Poetry, Screenplays And Creative Non-fiction Who Are Seeking To Develop A Writing Practice That Is Attentive To The World. The Book Is Supported By A Companion Website At Www.criticalcreativewriting.com. Is it okay to write about people of other genders, races and identities? And how do I do this responsibly? Whether you are working in fiction, poetry, drama or creative non-fiction, becoming conscious of how you represent people of different social identities is one of the most important responsibilities you have as a writer. This is the first practical guide to thinking and writing reflectively about these issues. Organised in an easy-to-use A to Z format for practicing writers, teachers and students, Writing Intersectional Identities covers such key terms as: Appropriation Authenticity Body Class Counternarrative Disability Essentialism Gender Indigenous Power Privilege Representation The book is meant for writers of fiction, poetry, screenplays and creative non-fiction who are seeking to develop a writing practice that is attentive to the world. The book is supported by a companion website at www.criticalcreativewriting.org . "Is it okay to write about people of other genders, races and identities? And how do I do this responsibly? Whether you are writing fiction, poetry or creative non-fiction, writing responsibly about people of different social identities is one of the most important duties of the public writer today. This is the first practical guide to thinking and writing reflectively about these issues. Organised in an easy-to-use A to Z format for practicing writers, teachers and students."-- Provided by publisher "Is it okay to write about people of other genders, races and identities? And how do I do this responsibly? Whether you are writing fiction, poetry or creative non-fiction, writing responsibly about people of different social identities is one of the most important duties of the public writer today. This is the first practical guide to thinking and writing reflectively about these issues. Organised in an easy-to-use A to Z format for practicing writers, teachers and students"--Bloomsbury Publishing. "Is it okay to write about people of other genders, races and identities? And how do I do this responsibly? Whether you are writing fiction, poetry or creative non-fiction, writing responsibly about people of different social identities is one of the most important duties of the public writer today. This is the first practical guide to thinking and writing reflectively about these issues. Organised in an easy-to-use A to Z format for practising writers, teachers and students"-- Provided by publisher "Is it okay to write about people of other genders, races and identities? And how do I do this responsibly? Whether you are writing fiction, poetry or creative non-fiction, writing responsibly about people of different social identities is one of the most important duties of the public writer today. This is the first practical guide to thinking and writing reflectively about these issues. Organised in an easy-to-use A to Z format for practicing writers, teachers and students"--Bloomsbury Collections Cover Contents Acknowledgments Introduction For Students For Instructors Appropriation Audience Authenticity Author Belonging Body Class Colonialism Community Consciousness Counternarrative Diaspora Disability Emotion Essentialism Gender Globalization Identity Indigenous Intersectionality Language Minoritized Multiculturalism National Positionality Power Privilege Race Religion Representation Sexuality Bibliography and Suggested Readings Index

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