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Media history is millions, even billions, of years old. That is the premise of this pioneering and provocative book, which argues that to adequately understand contemporary media culture we must set out from material realities that precede media themselves—Earth’s history, geological formations, minerals, and energy. And to do so, writes Jussi Parikka, is to confront the profound environmental and social implications of this ubiquitous, but hardly ephemeral, realm of modern-day life. Exploring the resource depletion and material resourcing required for us to use our devices to live networked lives, Parikka grounds his analysis in Siegfried Zielinski’s widely discussed notion of deep time—but takes it back millennia. Not only are rare earth minerals and many other materials needed to make our digital media machines work, he observes, but used and obsolete media technologies return to the earth as residue of digital culture, contributing to growing layers of toxic waste for future archaeologists to ponder. He shows that these materials must be considered alongside the often dangerous and exploitative labor processes that refine them into the devices underlying our seemingly virtual or immaterial practices. A Geology of Media demonstrates that the environment does not just surround our media cultural world—it runs through it, enables it, and hosts it in an era of unprecedented climate change. While looking backward to Earth’s distant past, it also looks forward to a more expansive media theory—and, implicitly, media activism—to come. Media History Is Millions, Even Billions, Of Years Old. That Is The Premise Of This Pioneering And Provocative Book, Which Argues That To Adequately Understand Contemporary Media Culture We Must Set Out From Material Realities That Precede Media Themselves--earth's History, Geological Formations, Minerals, And Energy. And To Do So, Writes Jussi Parikka, Is To Confront The Profound Environmental And Social Implications Of This Ubiquitous, But Hardly Ephemeral, Realm Of Modern Life. Exploring The Resource Depletion And Material Resourcing Required For Us To Use Our Devices To Live Networked Lives, Parikka Grounds His Analysis In Siegfried Zielinski's Widely Discussed Notion Of Deep Time--but Takes It Back Millennia. Not Only Are Rare Earth Minerals And Many Other Materials Needed To Make Our Digital Media Machines Work, He Observes, But Used And Obsolete Media Technologies Return To The Earth As Residue Of Digital Culture, Contributing To Growing Layers Of Toxic Waste For Future Archaeologists To Ponder. Parikka Shows That These Materials Must Be Considered Alongside The Often Dangerous And Exploitative Labor Processes That Refine Them Into The Devices Underlying Our Seemingly Virtual Or Immaterial Practices. -- Publisher's Website. Materiality: Grounds Of Media And Culture -- An Alternative Deep Time Of The Media -- Psychogeophysics Of Technology -- Dust And The Exhausted Life -- Fossil Futures -- Afterword: So-called Nature -- Appendix. Zombie Media: Circuit Bending Media Archaeology Into An Art Method. Jussi Parikka. Includes Bibliographical References And Index. Media history is millions, even billions, of years old. That is the premise of this pioneering and provocative book, which argues that to adequately understand contemporary media culture we must set out from material realities that precede media themselves—Earth’s history, geological formations, minerals, and energy. And to do so, writes Jussi Parikka, is to confront the profound environmental and social implications of this ubiquitous, but hardly ephemeral, realm of modern life.0Exploring the resource depletion and material resourcing required for us to use our devices to live networked lives, Parikka grounds his analysis in Siegfried Zielinski’s widely discussed notion of deep time—but takes it back millennia. Not only are rare earth minerals and many other materials needed to make our digital media machines work, he observes, but used and obsolete media technologies return to the earth as residue of digital culture, contributing to growing layers of toxic waste for future archaeologists to ponder. Parikka shows that these materials must be considered alongside the often dangerous and exploitative labor processes that refine them into the devices underlying our seemingly virtual or immaterial practices.0'A Geology of Media' demonstrates that the environment does not just surround our media cultural world—it runs through it, enables it, and hosts it in an era of unprecedented climate change. While looking backward to Earth’s distant past, it also looks forward to a more expansive media theory—and, implicitly, media activism Cover 1 Contents 6 Preface 8 Acknowledgments 14 1 Materiality: Grounds of Media and Culture 16 2 An Alternative Deep Time of the Media 44 3 Psychogeophysics of Technology 74 4 Dust and the Exhausted Life 98 5 Fossil Futures 124 Afterword: So-Called Nature 152 Appendix. Zombie Media: Circuit Bending Media Archaeology into an Art Method 156 Notes 170 Index 208 A 208 B 209 C 209 D 211 E 212 F 212 G 212 H 213 I 214 J 214 K 214 L 214 M 215 N 216 O 217 P 217 R 218 S 218 T 219 U 220 V 220 W 220 Y 221 Z 221